엔진오일 교환 수리 사례

2026. 10. 17. 작업

난이도 & 준비물

증상

LuS1fer said: Sporky said: Isn't every Lamborghini since a retro throwback to the Countach? No, the Countach was an incredibly futuristic design and got it right.And every Lambo since?

처리 내용

mjspencer348 said: My theory on retrospection is that it provides familiarity in difficult times, when life seems overwhelming human nature naturally seeks out sources of comfort, be that car design, food or entertainment. If and when people feel more confident about the future then the fashion for retro-inspired design will fade, just recall the futurism of 1950s American car design, it merely reflected the wider mood of society. Apologies if that was too much chin-stroking for PH.Edited by mjspencer348 on Saturday 17th October 08:32 That might be what's driving the retro trend now, but the previous big retrospection boom in cars and much else was the optimistic 'end of history', 'things can only get better', New Millenium Just Around the Corner 1990s.I think the real driver of the new retro car trend has already been mentioned - it's because when engineering, technology and performance are broadly reaching both a standard and a parity across the industry and the Far East cannot be beaten on price, Europe is leveraging its heritage and cultural resonance - "that car from the old days you remember fondly, but modern and electric."It's the one thing China cannot do - even they made a retro Dongfeng, it wouldn't have any meaning to Europeans.The other aspect, which I think looms less over the car industry but explains why mainstream cinema and TV and fashion and so much else of culture is just rehashes of stuff from the past, is that the almighty dollar has completely squeezed out originality.Originality is also risk - what if people don't like the new thing? Hollywood has always been fundamentally about making money, but used to work on the basis that (certainly for the A-movies and prestige projects) good artistry would also lead to profits. And the studios were not entirely adverse to letting directors and actors pursue passion projects, even if they made a loss, after a string of hits or as part of a contract package.Now the studios and media giants are far more